Hongjoong Bazzi “ENOuGH” 2026: Awards, Charts & Reviews
Hongjoong of ATEEZ and American singer-songwriter Bazzi officially released “ENOuGH” on September 18, 2026, marking a new international collaboration for the ATEEZ captain. The song was released through online music platforms alongside a music video, and Korean entertainment outlets described the project as a collaboration built around the contrasting vocal colors of the two artists. KQ Entertainment’s official ATEEZ platform had already announced the release date and promoted the project through a sequence of teasers beginning in September.
The project is notable because Hongjoong is not simply appearing as a featured vocalist. Bugs credits him as a vocalist, lyricist, composer and arranger, alongside Bazzi and a wider international production team. The track runs for approximately 2 minutes and 23 seconds, while the official music video is listed at about 2 minutes and 42 seconds on Bugs. That production credit makes “ENOuGH” particularly relevant to readers following Hongjoong’s development as a songwriter and producer, rather than viewing the project only as an idol-feature collaboration.
| Category | Verified information |
|---|---|
| Song | “ENOuGH” |
| Artists | Hongjoong (ATEEZ) & Bazzi |
| Release date | September 18, 2026 |
| Release time | 1 p.m. KST |
| Format | Single / collaboration project |
| Track length | 2:23 |
| Music video | Released September 18, 2026 |
| Agency | KQ Entertainment |
| Hongjoong credits | Lyrics, composition and arrangement |
| TV drama rating | Not applicable |
Table of Contents
Release Date, Format and Official Details
The rollout for “ENOuGH” began several days before release. KQ Entertainment used ATEEZ’s official channels to introduce the project with mysterious visual material before identifying Bazzi as Hongjoong’s collaborator. The official teaser campaign included phrases such as “I have all I want,” “you are my enough,” and “no second thoughts, no maybes,” creating a clear emotional theme before listeners had access to the full track. Soompi documented the announcement and confirmed the September 18, 2026 release at 1 p.m. KST.
Two music-video teasers followed on September 16 and 17. Korean media reported that the first teaser showed an unidentified figure walking across a grassy area, while the second centered on Hongjoong communicating through a screen with a preview of the song. The visual campaign leaned into a science-fiction setting, with space imagery and a connection-between-worlds concept. Maeil Business and Star News both reported that the teasers suggested Hongjoong and Bazzi were being presented as artists from different worlds who connect through music.
The full release arrived on September 18 exactly as announced. Star News reported that Hongjoong participated in lyrics, composition and arrangement, while Bazzi provided the vocal collaboration. Bugs independently lists the detailed credits and confirms the track as a one-song release titled ENOuGH, with both Hongjoong and Bazzi credited as vocalists.
Award Nominations
As of September 18, 2026, no verified award nomination for “ENOuGH” has been publicly announced by an official award organization or a reputable Korean entertainment outlet located in the current search record. That is not surprising because the single was released only on September 18, meaning the normal measurement period for many annual music awards is still ongoing. Awards such as year-end Korean music ceremonies typically depend on accumulated digital, physical, voting or panel-based results, so an immediate nomination would not be a normal release-day metric.
The safest editorial position is therefore to separate confirmed information from future possibilities. “ENOuGH” should not be described as an award-nominated song until a specific awards body publishes such a nomination. Likewise, an appearance on a preliminary fan-made prediction list is not equivalent to an official nomination. No such official nomination has been located for this article as of publication.
| Award body / ceremony | Nomination status as of Sept. 18, 2026 | Official result |
|---|---|---|
| Major Korean year-end awards | Not yet publicly announced | None verified |
| Music awards based on cumulative 2026 data | Too early for final results | None verified |
| International awards | No nomination verified | None verified |
This release-day status should be updated later if the song becomes eligible for specific year-end ceremonies. For SEO and E-E-A-T purposes, that distinction matters: “not announced yet” is different from “not eligible” and different again from “did not receive a nomination.”
Award Wins
There are currently no verified award wins specifically credited to “ENOuGH”. The reason is straightforward: the song was released only hours before this article was prepared, and no official award organization has announced a win for the track.
It is also important not to confuse achievements by ATEEZ as a group with achievements by this single. ATEEZ entered September 2026 with substantial momentum, including the continuing performance of “BAD,” which News1 reported had reached a peak of No. 7 on Melon’s Top 100, No. 3 on Melon’s Hot 100 and six music-show wins. Those are legitimate ATEEZ achievements, but they should not be presented as awards won by “ENOuGH.”
| Category | “ENOuGH” status |
|---|---|
| Music-show wins | None verified |
| Year-end award wins | None yet |
| Grand prizes / Daesang | None |
| International award wins | None verified |
| Certified award achievement | None verified |
The difference between artist-level success and song-level success is especially important in K-pop coverage. ATEEZ’s established reputation can generate attention for a Hongjoong release, but the single must build its own chart history and award record over time.
TV Ratings and Broadcast Performance
There is no conventional TV rating for “ENOuGH” because this is a music single, not a scripted Korean drama or television series. The release was distributed through digital music services and accompanied by a music video rather than a television premiere. Bugs lists the official “ENOuGH” music video separately, while Soompi confirms that the single and music video were released together at 1 p.m. KST on September 18.
That means searches such as “ENOuGH episode ratings,” “ENOuGH K-drama rating,” or “ENOuGH TV audience share” are based on an incorrect content type. There is no Nielsen Korea drama rating, TNMS episode share or weekly television audience figure to report for this release. Using a made-up percentage would make the article less trustworthy rather than more informative.
| Ratings metric | Result |
|---|---|
| Nielsen Korea drama rating | Not applicable |
| TV episode rating | Not applicable |
| TV audience share | Not applicable |
| Music-video views | Applicable |
| Digital music charts | Applicable |
| Streaming performance | Applicable |
For search users, this distinction is useful because it answers the underlying question without pretending that a music release has television data.
Streaming and Chart Performance
The streaming story for “ENOuGH” is still in its earliest stage. Melon’s latest-album page lists the release as a one-track single dated September 18, with Hongjoong and Bazzi as the artists. Bugs likewise lists the song as a new release and showed it on its latest-music pages on the release day.
At the time this article was researched, there was not yet a reliable publicly reported Spotify stream total or confirmed Billboard chart position for the song. That is expected after only a few hours. Spotify’s public ecosystem does not provide a universal real-time stream counter suitable for a publication to quote as a verified global total, and Billboard charts operate on defined tracking periods rather than simply reflecting the first few hours after release.
YouTube provides the clearest immediate public signal. A YouTube search snapshot on release day indexed the official KQ Entertainment music video at approximately 36,000 views, although YouTube counts change continuously and can move substantially within hours.
The pre-release videos had already generated measurable interest. KPOP JUICE listed the first official teaser at 230,884 views, 19.3K likes and 589 comments in its latest indexed snapshot, showing that anticipation existed before the full song arrived.
International Reception
The international angle is built into “ENOuGH” from its conception. Rather than adding an American artist after the song is completed, the project pairs Hongjoong with Bazzi and places both artists at the center of the release. International music outlet Bandwagon described the song as a collaboration that combines Hongjoong’s vocals with Bazzi’s pop and R&B-oriented sound.
Korean coverage also emphasized Bazzi’s previous international credentials. Maeil Business and Star News noted that Bazzi reached No. 11 on the Billboard Hot 100 with “Mine” and No. 14 on the Billboard 200 with his album “Cosmic.” Those historical figures do not predict the future performance of “ENOuGH,” but they help explain why the collaboration has a cross-market dimension rather than being a purely domestic K-pop project.
The international reception is therefore best described as early and developing. Coverage appeared in Korean entertainment media and international music publications on release day, while global fans discussed the track almost immediately on community platforms. There is not yet enough verified data to say that “ENOuGH” has become a global chart hit, but the release clearly attracted attention across Korean and international K-pop spaces.
Critics’ Reviews
The earliest detailed critical response located for “ENOuGH” came from The Bias List, which published its review on September 17. The review gave the song an overall 6.75/10, with a D+ grade, while assigning separate scores of 7 for hooks, production and longevity and 6 for bias. The reviewer praised some of the electronic textures but argued that the sparse production, restrained delivery and short runtime limited the song’s development.
Because this is one individual publication’s review, its score should not be presented as a universal critical rating. There is currently no broad professional aggregate such as Metacritic for this release, and only a limited number of independent reviews had appeared at the time of research.
Bandwagon took a different descriptive approach, focusing less on a numerical score and more on the collaboration’s intimate character, contrasting vocals and pop/R&B blend. That gives readers another perspective without creating the impression that critics have reached a unanimous assessment.
| Review source | Published | Assessment |
|---|---|---|
| The Bias List | Sept. 17, 2026 | 6.75/10, D+ |
| Bandwagon | Sept. 18, 2026 | Described the collaboration as intimate and highlighted the vocal pairing |
| Overall critical consensus | Release day | Too early to establish |
The most accurate description is therefore mixed early critical reception with limited review coverage.
Audience Response
Audience reactions appeared quickly after the song and music video went live. In the ATEEZ Reddit community, early listeners posted comments praising the beat, synth textures and Bazzi’s contribution, while some specifically said they wished the song were longer. These comments show the range of immediate listener reactions, but Reddit is not a representative survey of the entire ATEEZ or K-pop audience.
The pre-release response was also substantial. The first official teaser accumulated more than 230,000 indexed YouTube views according to KPOP JUICE, while official social posts promoting the song generated strong engagement across reposts and fan accounts. These figures demonstrate anticipation around the project, although social-media engagement should not be treated as the same thing as paid streams, chart points or award votes.
An interesting part of the audience conversation was the reaction to Hongjoong using a more melodic and restrained style. Fans also discussed the unusual science-fiction concept, the Seoul references in the lyrics and the intentionally short runtime. Because these observations come from individual listeners, the article should not convert them into claims such as “fans universally loved the song.”
The available evidence instead suggests high fan curiosity, active discussion and divided individual reactions, which is a more defensible description of a release only hours old.
Major Achievements So Far
There are two ways to understand the achievements surrounding “ENOuGH”: the achievements of the single itself and the achievements that created the environment for its release. As of September 18, the single’s confirmed achievements are primarily release and visibility milestones, not major chart trophies.
The song was released exactly according to KQ Entertainment’s announced schedule, received an official music video, appeared on Korean streaming platforms including Melon and Bugs, and generated coverage from major entertainment outlets such as Soompi, Star News, News1 and Maeil Business.
The broader ATEEZ context is more substantial. News1 reported that “BAD,” released through ATEEZ’s GOLDEN HOUR : Part.5 campaign, had accumulated six music-show wins and was still holding a strong position on Melon Top 100 in the morning of September 18. That current group momentum forms an important backdrop to Hongjoong’s individual collaboration.
In other words, “ENOuGH” has strong contextual momentum, but it does not yet have a long list of verified standalone achievements. An accurate article should leave the achievement table open for later updates instead of filling it with group accomplishments.
Historical Significance of the Collaboration
Calling “ENOuGH” a historic K-pop milestone on release day would be premature. The collaboration is notable, but Hongjoong has already worked with artists outside ATEEZ and outside Korea, making Bazzi neither his first international collaborator nor his first individual project.
News1 reported that Hongjoong released a collaboration with Korean-American artist Anderson .Paak in May 2026 and has also worked with artists including Odetari and Bradley Simpson. Earlier, he appeared on Chungha’s “EENIE MEENIE,” demonstrating a pattern of musical activity outside ATEEZ’s core group releases.
What makes “ENOuGH” distinctive is the specific pairing of an ATEEZ leader who is deeply involved in songwriting and production with an American artist associated with pop and R&B. Hongjoong is credited on lyrics, composition and arrangement, while Bazzi contributes as the international vocal counterpart.
The collaboration can therefore be described as another step in the broader globalization of K-pop production, where Korean artists increasingly participate directly in cross-border songwriting and releases. Whether “ENOuGH” eventually receives historical recognition will depend on its long-term chart results, cultural impact and industry reception-not on the release date alone.
Why “ENOuGH” Attracted So Much Attention
Several documented factors explain the immediate attention around “ENOuGH.” First is the identity of the collaborators: Hongjoong is the captain and a key songwriter within ATEEZ, while Bazzi has an established U.S. chart history through “Mine” and “Cosmic.” That gives the song a built-in bridge between a major K-pop act and an American pop/R&B artist.
Second, KQ Entertainment did not rely on a single announcement. The label built the release through mysterious images, concept material, teaser videos and partial audio, turning the collaboration into a short narrative before the full release. Korean media repeatedly highlighted the space-based setting, which gave the rollout a recognizable visual identity.
Third, Hongjoong’s creative involvement gives the release an additional talking point. Bugs credits him across lyrics, composition and arrangement, meaning audiences can evaluate “ENOuGH” not simply as a feature but as part of his continuing development as an individual creator.
Finally, timing matters. “ENOuGH” arrived while ATEEZ’s “BAD” remained visible on Korean music charts and had accumulated multiple music-show wins, giving Hongjoong an established promotional environment from which to launch his new project.
Song and Music Video Concept
Thematically, “ENOuGH” centers on the idea of finally feeling emotionally complete after a long period of searching or longing. Star News described the song as dealing with emotions that gradually become filled through the presence of another person, while Bandwagon similarly framed the track around the feeling of becoming whole through someone entering your life.
The music video turns that emotional idea into science fiction. Hongjoong is presented moving through space before encountering Bazzi on an unfamiliar planet, with music becoming the method through which the two characters understand each other. Maeil Business described the visual language as involving static-filled communications, vintage tones and a journey between different worlds.
That concept is closely connected to the project’s promotional phrases. The recurring language about having everything one wants and finding someone who is “enough” establishes the emotional premise before the listener even reaches the complete song. The visual storytelling then expands the same idea into a meeting between two seemingly separate worlds.
The combination gives “ENOuGH” a clear identity beyond its title. Rather than treating the music video as a simple performance clip, KQ Entertainment presented it as a miniature narrative about distance, communication and connection.
Hongjoong’s Creative Role
Hongjoong’s most important contribution to “ENOuGH” may be the extent of his creative participation. Bugs lists him among the lyricists and composers and also credits him on arrangement, alongside Maddox, Angelo Mota, JULiA LEWiS, Ambezza, Bazzi, EDEN and Kikoi. That means his involvement covers several stages of the song-making process.
This fits the larger documented pattern of Hongjoong’s career. Korean media have repeatedly noted his participation in ATEEZ’s songwriting and composition, while his individual catalog has increasingly included solo tracks and collaborations. News1 specifically described his history of participating in ATEEZ music and noted projects such as “NO1” and “A Walker.”
“ENOuGH” therefore has significance within his individual career even before any chart result arrives. It presents him not only as ATEEZ’s captain or rapper but also as an artist capable of building a song around his own musical direction while collaborating with an American singer-songwriter.
That distinction matters for readers searching for Hongjoong solo music in 2026. The project is another documented example of how his role has expanded from group performance into songwriting, production and international collaboration.
Bazzi’s Contribution
Bazzi gives “ENOuGH” a distinctly international counterpart. The American singer-songwriter is credited as a vocalist and songwriter on the track, and Korean coverage connects him with the earlier global success of “Mine” and “Beautiful.” His previous U.S. chart achievements also provide context for why the partnership attracted attention from Korean entertainment media.
Bugs lists Bazzi among the songwriters and composers, meaning his role is not limited to simply singing a pre-written part. He is also included in the composition credits alongside Hongjoong and several international producers. That supports the description of “ENOuGH” as a genuine collaborative creation rather than a conventional feature.
The two voices occupy different positions within the project. Coverage from Bandwagon emphasized their contrasting vocal colors, while Star News said that their vocal collaboration helps define the song’s emotional character.
This partnership also makes the song useful as a case study in K-pop’s continuing interaction with Western pop production. Instead of treating international collaboration as a marketing label alone, “ENOuGH” has publicly documented songwriting, composition and arrangement credits involving artists from different markets.
Early Performance vs. Long-Term Success
One of the biggest mistakes in release-day music reporting is treating a first-day number as a final verdict. “ENOuGH” is far too new for that kind of assessment. A song released at 1 p.m. KST on September 18 does not yet have enough time to build a complete weekly streaming profile, Billboard tracking result, cumulative digital chart history or year-end award record.
The early indicators are still useful. Bugs had the song listed among its latest releases and showed its official music video, while Melon had it in the newest album/single listing on release day. A YouTube search snapshot also showed the official music video accumulating tens of thousands of views shortly after release.
At the same time, pre-release content had already generated considerable attention, with the first teaser reaching more than 230,000 indexed views on KPOP JUICE’s tracking page. That is evidence of pre-release engagement, not proof of the final success of the song itself.
The correct approach is to treat September 18 data as a baseline. Future updates should add weekly chart positions, Spotify totals where reliably documented, YouTube milestones, music-show results and award nominations once those numbers exist.
What Has Not Yet Been Verified
Several categories requested in searches about “ENOuGH” simply do not have reliable public data yet. There is no verified TV drama rating, because “ENOuGH” is a single rather than a drama. There is no confirmed award nomination or award win for the song at the time of publication, and no established year-end chart position can responsibly be assigned only hours after release.
There is also no verified global Spotify stream total in the public sources reviewed for this article. Some fan pages may publish unofficial numbers or estimates, but those should not be presented as official streaming statistics. The same caution applies to claims about worldwide iTunes rankings unless an established source documents the exact countries and positions.
Another important distinction concerns online audience comments. Reddit and social-media posts can show what individual listeners are saying, but they cannot establish that all fans or the Korean public share the same opinion. The early Reddit thread for the music video contained both strong praise and criticism about the song’s length, demonstrating why a balanced description is more accurate than a sweeping claim about audience consensus.
For KpopBio, the safest update policy is simple: add each new award, chart position, streaming milestone or review only when a reputable source documents it.
Conclusion
Hongjoong and Bazzi’s “ENOuGH” entered the 2026 K-pop conversation on September 18 as a cross-border collaboration built around music, visual storytelling and Hongjoong’s expanding role as a songwriter and producer. KQ Entertainment confirmed the release time, Soompi documented the single and music video launch, and Korean outlets reported Hongjoong’s involvement in lyrics, composition and arrangement. Bugs also confirms the song’s detailed credits and its 2:23 running time.
The release does not yet have a verified award history or TV rating, and that is an important part of the story rather than a weakness in the reporting. Those figures either do not apply to this type of release or require more tracking time. Early digital availability, video views, pre-release engagement and media coverage provide useful first-day indicators, but they cannot yet establish the song’s final chart or award impact.
Critically, the first detailed review located from The Bias List was mixed and assigned 6.75/10, while other coverage concentrated more on the song’s intimate character and vocal pairing. Audience discussion has also been active, with listeners praising elements such as the synth-driven atmosphere and Bazzi’s presence while some wished the track were longer.
The most accurate description of “ENOuGH” today is therefore a newly released international collaboration with strong pre-release attention, documented creative involvement from Hongjoong, early audience discussion and a developing performance record that still needs time to mature.
FAQs
1. When was Hongjoong and Bazzi’s “ENOuGH” released?
“ENOuGH” was released on September 18, 2026, at 1 p.m. KST, together with its official music video.
2. Is “ENOuGH” an album or a single?
It is a single/collaboration project. Melon lists it as a one-track single, while Bugs identifies “ENOuGH” as the release containing the track by Hongjoong and Bazzi.
3. Has “ENOuGH” won any awards?
No award win for “ENOuGH” had been officially verified as of September 18, 2026. The song was only released that day, so most 2026 year-end award results are still in the future.
4. Does “ENOuGH” have a TV rating?
No. It is a music single rather than a television drama, so Nielsen Korea-style TV ratings do not apply.
5. What did critics say about “ENOuGH”?
The Bias List published an early review giving the song 6.75/10 and a D+ grade, while criticizing its sparse production and short runtime. Bandwagon highlighted the intimate quality of the collaboration and the contrasting vocals of Hongjoong and Bazzi.
6. What role did Hongjoong have in the song?
Hongjoong is credited as a vocalist, lyricist, composer and arranger on “ENOuGH,” alongside several other contributors.
7. What is the concept of the “ENOuGH” music video?
The music video uses a science-fiction setting in which Hongjoong travels through space and connects with Bazzi on an unfamiliar planet. Korean coverage described the story as representing two different worlds connecting through music.
8. Has “ENOuGH” become a major chart hit yet?
It is too early to make that determination. The song was released only hours before this article was researched, and complete weekly streaming and chart data were not yet available.
9. Why is the Hongjoong-Bazzi collaboration notable?
The project combines ATEEZ’s captain and songwriter Hongjoong with an American artist who has previous Billboard chart history. Hongjoong also contributes directly to the song’s writing, composition and arrangement, making it a substantial creative collaboration rather than a simple guest appearance.
10. Where can readers track future achievements of “ENOuGH”?
Future updates should focus on official chart results, music-show wins, award nominations, YouTube milestones and verified streaming figures from recognized platforms or reputable entertainment reporting.
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